Spotlight on: The Sins of the Father, by Annie Whitehead

The Sins of the Father: Tales of the Iclingas Book 2 by [Annie Whitehead]

The Sins of the Father is out today, September 15th!                                        

Here’s the author to tell us a little about this long-awaited sequel to Cometh the Hour.

The Sins of the Father is the follow-up to my novel Cometh the Hour, about Penda, the last pagan king of Mercia, his struggles to achieve and maintain independence from the aggressive kingdom of Northumbria, and his quest to avenge his kin, especially his womenfolk.

Now, his sons have come of age, as have the children of Penda’s nemesis in Northumbria. All of them are affected by their fathers’ antipathy. The new novel tells the stories of the members of this next generation, and how they try either to emulate their fathers, or plough their own paths, and how this leads to tension and, ultimately, war.

Matters have been complicated by the fact that some of these children have married into the other family, thus blurring the lines of loyalty.

From this tangled web Ethelred, the youngest of Penda’s children, a boy when all the major battles of the first book occurred, feels he has less investment in the feud, but this leads to massive guilt on his part that he might let his kin down by his lack of ambition. He sees his warrior brother wearing their father’s mantle, feels cold in that large shadow, and all he really wants to do is live quietly with his Welsh love.

Fate intervenes when, just as in his father’s day, the womenfolk of Mercia must be avenged. Now Ethelred’s task is to end the feud, once and for all. Can he honour his father’s memory yet keep his conscience clear, and find his way back to his Welsh love?

What few have realised is that wars are not always fought by men on the battlefield, and the daughter of the Northumbrian king has been given a deadly task of her own. Will she become the murderer that her father and brother wish her to be, or can she turn away from her heritage? For all involved, the stakes are high and even victory demands a heavy price.

Available from Amazon

Ruskin’s Copper Shadow, by Jennifer Wineberg

Ruskin’s Copper Shadow is set in Victorian times, and it has the feel of a Victorian novel, a mix of Dickens and Trollope and a touch of Wilkie Collins. Not quite a roman à clef, nonetheless the life and passions of its central character, the Canon, reflect and mirror in spirit some of the life of the polymath and social reformer John Ruskin.

John Ruskin

For a modern novel, the pacing is slow and the story, like a stream in summer, slowly meanders among characters and settings, but if you relax and drift along, the view is enjoyable. A debut novel based to some extent on some unexplained history in the author’s family, it examines the all-to-frequent occurrence in Victorian (and later) society – who fathered the child of a servant? It looks at the manners and expectations of Victorian society, and the gulf between the strict propriety of the Church and the upper classes, and humane behavior; it examines guilt and redemption.

Ruskin’s Copper Shadow won’t appeal to everyone. It’s very much an allegory: several characters have no identity beyond their titles: the Canon, the Magistrate; others are stock figures. But they were in Dickens, too, many times. Sometimes the reasons for the Canon’s behaviour are unclear, as that meandering stream divides and one stream goes underground for a while here and there, but it always re-emerges.  I enjoyed where its currents took me.

Amazon.com

Photo credits:

Featured Image: Wallington Hall, Northumbria: Glen Bowman, licensed under the Creative Commons Attribution 2.0 Generic license.

Portrait of John Ruskin by W.& D. Downey, Photographers, London. Public Domain.

(By one of those strange 6 degrees of separation coincidences, the photographer William Downey was the grandfather (or maybe great uncle) of a friend of my father’s here in Canada.)