Yesterday I read at the Eden Mills Writers’ Festival, in the tiny Ontario hamlet of Eden Mills. I was reading because the two pieces I had submitted to the Fringe contest, for not-yet-widely-published authors, had been chosen by the jury. Four poems in the first submission, and a short story in the second.
I’ve been going to this festival on and off for the last twenty-five years. Eden Mills, a hamlet of many 19th century limestone and clapboard houses, spans the Eramosa River. Readings are done outdoors, mostly, in back yards running down to the river; in a sculpture garden, on the grounds of the old mill, in a re-purposed chapel. It’s been a way to spend a lovely September afternoon, listening to people read, eating ice cream, browsing the books in the publishers’ way.
Yesterday I saw a glimpse the other side of it, the heart and soul and sweat and generosity, of time and talent and spirit, that makes the festival. The Fringe readers were treated no differently from anyone else reading: we were invited to the authors’ lounge, (which had taken over the ground floor of a resident’s house) where there was coffee and breakfast pastries available when we got there, then lunch, and later wine and nibbles. Conversations were open and welcoming; I talked to Steven Burrows, another birder and author of birding mysteries (we talked about birding, not writing), and then I talked to the Parliamentary Poet Laureate of Canada, George Elliott Clarke, about the surreality of beginning a writing career in my fifties. (His take on it? It’s a good time; fewer distractions).
I read in a natural half-ampitheatre with the river behind me and people ranged in lawn chairs, on blankets, on the grass, on the hill in front of me. My readings both went well – I was sure I was going to stumble over the line “No survey stake or draughtsmen’s pen rules here” (try saying that!) in one of my poems, but I didn’t.
In between the readings, I mostly worked the table of Vocamus Press, the Guelph-based small press that also promotes and publicizes the work of other Guelph writers. This too is hard work, lots of chatting to people (many aspiring writers), selling a few books, handing out cards for the book promotion Vocamus is doing in October. I was a poor backup for Luke, the founder, whose natural salesmanship is far better than mine.
At the end of the day, in the middle of a conversation about literary theory and criticism with a young poet, after a glass of well-earned wine at the lounge, we took ourselves to the village hall for the dinner for all the authors and publishers. Salads, rolls, butter chicken and rice for the first course – and wine on the table, replenished when we’d emptied a bottle – but it was the desserts that were the crowning touch. Because residents of Eden Mills take it on to bake pies – goodness knows how many – for this annual event. How many pies do you need to feed more than fifty hungry writers, plus publishers, volunteers, and organizers? However many it is, they did it. And they were goooood.
There are two – or maybe three – intertwined communities here: the community of Eden Mills, which welcomes, organizes, hosts, bakes, provides food, opens homes, washes dishes (and puts up with writers taking over the village once a year): the supportive, involved people who don’t live, perhaps, in the village, but who are nonetheless integral parts of the Festival, whether it’s organizing the Fringe, arranging the buses, selling books on the Publishers’ Way, and doing a thousand other things I’m not aware of. And then there are the writers themselves, who were again most welcoming, generous, and open, with their time and their thoughts. I was proud to be, in a small way, part of these communities on Sunday.
Thank you, Eden Mills Writers’ Festival!