The Characters of Empire’s Legacy, Part 1.
We first meet Cillian early in Empire’s Hostage, and he’ll be present, at least in memory, through to the end of the series. Because I wasn’t, at that point in my development as a writer, a plotter in any form, I had no idea how important he was. But he is central to the next three books, both to the personal and political arcs of all my characters.
I don’t ‘invent’ my characters, in that I don’t say ‘I want a character who is funny and bad-ass and scared of commitment’ to fit into a place in my books; they just appear, more or less fully formed, in my mind, and I learn about them as I write. What intrigued me about Cillian were the dichotomies.
The man we first meet is thirty-three, unfriendly, distant – and yet clearly devoted to both Perras and Dagney, the two teachers at the school in Linrathe where we first encounter him. He wants next to nothing to do with Lena, my protagonist, because she’s from the southern Empire. He nurtures a near-hatred for that land, because his father was one of its soldiers, a man who left his young mother unmarried and shamed, making Cillian a bastard, another shame in Linrathe.
Over the course of the next four books – Empire’s Exile, the novella Oraiáphon, Empire’s Reckoning, and the upcoming Empire’s Heir – we learn a lot more about Cillian. He is a man who loves the country of his birth passionately – and yet he abandons it. He had sworn an oath of loyalty to its land and people in his role as toscaire – something between an envoy and a spy – but broke that oath. He is skilled in (some) of the arts of the bedroom – and yet says he has never been in love.
From these – and other – dichotomies a portrait of a deeply moral and deeply complex man slowly emerged. Torn always between love for individuals and love for the concept of land and people; working secretly and dangerously to create a future at the risk of a charge of treason, and yet a follower of stoic philosophy: “Accept what fate brings you.” A scholar who nonetheless nearly dies of war wounds, Cillian profoundly loves Lena – he calls her his greatest love, and his greatest blessing, but he is willing to give her up to save both their lands. And he also loves a man who is his close companion.
Cillian is aware of his own complexity. (In modern terms, and playing armchair psychologist, Cillian not only would be diagnosed with depression, but likely has an anxiety disorder, for which both his stoic philosophy and his meticulous, detailed planning are coping strategies.) Sometimes he wonders why he is loved, considering how difficult and complicated a man he is. (Sometimes those who love him wonder the same thing.) Watching him emerge as an individual was fascinating to me as a writer, but in the newest book, Empire’s Heir (September release) half the story is told in his voice – and that gave a whole new dimension to my understanding of him, because for the first time I knew what was going on in his mind, not just what he allowed himself to say.
All I will say is he can still surprise me.
(My vision of Cillian when we first meet him is represented here by Ed Stoppard in Ancient Rome: The Rise and Fall of an Empire)