How Has Writing Changed Me?

A guest post by Kathleen Marple Kalb (Nikki Knight)

Saved by the Work

When my husband and I walked our son into his first day of kindergarten, I knew our lives were changing. But not quite the way I thought they would.

I came home that morning and started writing fiction for the first time in more than twenty years. As a teenager, I’d written for fun, and even tried, unsuccessfully, to sell an historical novel. Now, with several free hours a day, I wanted to try again with everything I’d learned as a journalist and a person.

I didn’t know then how much I still had to learn.

That first book, a mystery set at a Vermont radio station, featuring a young, single woman – think Stephanie Plum with moose, only not as good – didn’t sell. Neither did the next book. The third one did, but that was only half of the story.

While I was querying that third book (you may know it as the Ella Shane mystery, A FATAL FINALE) my husband was diagnosed with cancer. He was in remission by the time my agent sold it, and there was a brief period where it looked like everything was coming together.

Then came Covid.

And suddenly, my fun little escape project became a lifeline.

During the run-up to publication, I had enough time to work on other things, including a new version of that Vermont mystery. This time, the main character was a grownup and a mother, but the place was the same. A warm, wonderful, safe little town with a diverse cast of people who borrowed from my colleagues.

The first Vermont book was done when the lockdown hit, but I was working on the sequel. And as that short lockdown wore into months and more than a year of virtual school, that little town became my happy place.

I’d sit on the couch in the basement office we’d fitted out as a schoolroom, keeping an eye on my son’s virtual fifth grade, first finishing the second book, and then writing short stories.

The work saved me.

Even as the real world fell apart around us, I was able to return to my happy place whenever I opened my laptop.

Not just that, I learned a new form, short stories. Initially, I wrote one for my Sisters in Crime chapter anthology. I wrote it only to be supportive and assumed it would be rejected. Turned out I loved writing it, and it was accepted.

Soon, I was writing short stories set in the world of the Vermont book and enjoying both the pleasure of hanging out in my happy place, and the satisfaction of producing a finished piece of work in a short time.

Relishing the challenge of creating a good story in a small space.

Exploring the world of my characters for story ideas.

Escape, sure.

But growth as a writer, too.

These days, as we settle back into whatever life looks like after the pandemic, we’re starting to forget how hard it was to stay focused and sane during the height of it. Writing, and particularly writing Vermont stories, pulled me out of the anxiety and kept me moving forward – even if I didn’t know what was out there.

The first Vermont book, and many of the stories are out in the world now. And so am I – a better writer, and a more focused professional. I hope, too, a much more aware and understanding person.

And grateful.


Kathleen Marple Kalb describes herself as an Author/Anchor/Mom…not in that order. An award-winning weekend anchor at 1010 WINS Radio in New York, she writes short stories and novels, including the Ella Shane Historical Mysteries for Kensington and, as Nikki Knight, LIVE, LOCAL, AND DEAD, a Vermont Radio Mystery from Crooked Lane. Her stories are in several anthologies, and she was a 2022 Derringer Award finalist. She, her husband, and son live in a Connecticut house owned by their cat.


Are you a writer who’d like to contribute to this series? Leave a comment below and I’ll get back to you!

How Has Writing Changed Me?

A guest post by J. Dalton

I’m pretty new to writing as I didn’t start until I turned 64.  That was back in 2016 when I was diagnosed with CML Leukemia.

Getting Leukemia was a slap in the face that turned my life upside down.  I lost a job I absolutely loved because of that, and thought I was going to die.  Now that I am on the other side of it, I can honestly say that it turned out to be a good thing. It forced me to face my own mortality and look back on my life and the legacy I would leave.  Now, I don’t fear death anymore, and I am no longer totally focused on work.  I have found that family is the most important thing in my life.

With all of the high dose Chemo pills I was taking and the side effects they caused, (constant Pleural effusions where fluid would build up in the sack around my lungs making it difficult to breathe), there wasn’t much I could do physically any more, so I had this crazy idea that I would write a book for my grand-kids, after all, how hard could it be?  (What the heck was I thinking?) That was the beginning of The Gates to the Galaxies Sci-Fi series.

Now, I’m seven books into the series and working on number eight, and I’m pretty sure not many people write the way I do.

I’m not the kind of author that can sit down at the computer and pound out a chapter or two.  All of my Sci-Fi stories are based on my dreams.  They come to me in full color like I’m watching a high def movie where each character speaks in their own unique voice.  I dream a chapter or two each night when I’m “in the groove”, as I call it, and the next morning, I just write down what happened in the dream.  I can go days without anything going on, then every day for weeks I dream about my story and sit down and write.

In my books, the villains, called the ‘Ones’ speak in musical notes and telepathic emotions that have different meanings when spoken in a different key. 

I think this concept came from when I was a child.  Music was a big part of my life back then from piano lessons, band, chorus and being exposed to a wide variety of musical styles at home like country, big band and of course, the classical music in the cartoons of my childhood.  I would often just close my eyes and hear the music speaking to me as I made up words in my head to go along with the tune, so that became an integral part of my stories.

I don’t think of myself as an author or writer, but rather a story teller.  Money, (or sales) never was a driving factor in doing this.  All I ever wanted originally was to have my grand-kids and then eventually, other people read my stories and react to them. 

There are a lot of different concepts in my books that most Sci-Fi stories don’t use and I think, based on the reviews I’ve gotten so far, that once people read my books, they enjoy them.  That’s the most rewarding feeling to me.

As I said, for me the writing part is the easiest as I simply tell the stories of my dreams.  Marketing, on the other hand, is something I struggle with but I keep working at it. 


J.Dalton’s books can be found on Amazon.

Connect with him on Twitter using @JDaltonAuthor


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How Has Writing Changed Me?

A guest post by Raina Nightingale

I hardly remembered when I first started to write. I was eight years old, having just learned to read. And what I wrote first was something that was at least half fanfiction: sometimes simply out of love and enjoyment, I would write stories very much like those I read, but other times, when it seemed to me there was something lacking in a book, or something that was wrong and not the way I wanted it to be, I would try to write a story that was like it, but different.

I think in stories. Both reading them and writing them is a big part of my thinking. In some ways, the exploration that comes from both is similar, but in some ways it is different, and different books are very different to read and very different journeys, though I do love some good escapism now and then (especially if it has nice world-building that speaks to me, more on that later)! In reading, I explore other people’s thoughts and am sometimes prompted to consider things about myself and what I like from angles I might not have considered on my own, and it does not take the same energy that writing does.

But writing, making up stories and exploring them as I will, is how I really think, how I discover, challenge my thinking, and consider new thoughts that I find in other places or other people suggest. Or sometimes thoughts that seem to come out of nowhere. Character, plot, and world-building can all be a part of thinking to me. A lot of my world-building, even – especially – the more magical parts of it, is inseparable from my appreciation for and understanding of this world, and helps me to articulate things I see better.

My characters are more wild. Sometimes I don’t understand them very well, and sometimes what I think I ought to have learned from them, whether their relationships with each other or their responses to their environments, I’m not at all sure that I do.

Probably most of my characters share some likeness with me, even if it’s as trivial as an aesthetic appreciation or a taste in cuisine. Some of them are very unlike me, while others can be largely deep explorations of aspects of my personality, dreams, or desires, or questions about these might be, but in general I don’t think too much about whether a character is like or unlike me, or how. Yet I always find it fascinating when I’m writing a character like none that I have ever written before, and I keep having moments of, “Oh, this is how someone who is like this thinks!” It’s really quite surprising. Yet, in real life, I sometimes feel like my empathy, my ability to understand and feel for people, is far behind my characters. Yet what would it be if I didn’t try? Or what would my stories be if I didn’t try in real life?

It’s hard to enumerate, or even really define, how writing and stories have been a part of my life and thinking, since it is so interwoven altogether. I don’t think there’s anything where it can be fully separated: sometimes I learn, through writing a character who enjoys something, to have more appreciation for it myself. Some recent examples are that I see the beauty in the ocean so much more after having written Corostomir, a man who is in love with the ocean, and writing a dry plains-loving people sharpens my appreciate for desert climates, something that used to not exist at all: the greener and the wetter the better, I thought.


Raina Nightingale has been writing fantasy since she could read well enough to write her stories with the words she knew (the same time that she started devouring any fiction she could touch). She enjoys rich characters and worlds where magic and the mundane are inseparable. She calls her fiction ‘Dawndark’.

Author/Review Website: https://www.enthralledbylove.com

Universal Book Link for all my books: https://books2read.com/raina_books

Twitter: https://twitter.com/Areaer_Novels

Goodreads: https://www.goodreads.com/author/show/20243136.Raina_Nightingale


Are you a writer who’d like to contribute to this series? Leave a comment below and I’ll get back to you!

How Has Writing Changed Me?

A guest post by J.C. Paulson

On following your muse: it might just save your life, and other benefits.

When I awakened at three one morning a few years ago, as I had for months after a traumatic career ending moment, I was, for a change, not in tears.

I saw a (beautiful) reporter, a (stunningly handsome) cop, a (stupid homophobic) decision made by a church and a (dead) bishop. Where did that come from? Would I remember it all at a more reasonable hour of the morning?

Didn’t think so. But I did.

It became Adam’s Witness, a novel I never thought I’d write. Nor any novel, really.

I’m not much of a believer in intervention, divine or otherwise. Neither do I believe in astrology, but I am a perfect Virgo: analytical, critical, loyal to a fault . . . and very much with my feet planted on the hard unforgiving ground. Lightning bolts from heaven or any other mystical place do not, in my view, occur. At least, not to me.

But something happened. Somehow, my brain was trying to save my sanity, or perhaps myself. The mood did not actually improve much for a long time, in the overall; my father became desperately ill and eventually died, among other rather traumatic life events.

Even so, the creative muse eventually took hold and if nothing else served as a distraction. There’s nothing like diving into someone else’s life.

Even someone fictional.

And now, I am powerfully inclined to pitch my method of mind-bending to others. Simply, it is this: If a creative or athletic or other positive new thing is calling you, I advise answering the mental phone. Even if it’s hard.

Obvious by now is that my own escape from hell came via my creative cells, and I believe that most of us have those. Sometimes we have to go looking for them, but they are there; and in my view, they represent the best of ourselves.

Learning that I could actually sit down for longer than a few minutes, focus, type, research and write a book was an epiphany.

I am also here to tell you that publishing a book online and in print by yourself is not the easiest thing you’ll ever try, creatively or technically. Nor is trying to disseminate your new invention.

(I’m sure similar difficulties apply to all other pursuits.)

But I did it.

It boosted my self-confidence that I could learn something new — actually, several somethings. It cleared my mind of everything but my plot, characters, and message. Then it forced me to think, as they say, outside the box: how do you format a book on Amazon?

It also allowed me to blurt many of my strongly held beliefs (for example, why in the name of all that’s sane would some discriminate against or loathe LGBTQ people? Or any people?) when I had no other outlet.

To this day, I haven’t entirely sorted out why or how walking a new creative path changed my mind. Altered my brain, really. But it absolutely did. I’m quite sure it forged new synaptic pathways, and no kidding.

As to other benefits, there’s always a chance someone else might like, or even love, what you have made. Your book. Your painting. Your photograph. Your song.

You might make someone’s day. You might change their outlook for the better. You might entertain, or elevate, or excite.

But this is for certain. You have created something new and unique that did not exist before. And for that, my heartfelt congratulations.


Joanne (J.C.) Paulson, a long-time Saskatoon journalist, has been published in newspapers including The StarPhoenix, The Western Producer, the Saskatoon Express, allSaskatchewan and a variety of magazines.

She is the author of a mystery series including the novels Adam’s Witness, Broken Through, Fire Lake, Griffin’s Cure, and Two Hundred Bones, a novella. Her most recent works are a historical fiction/western novel entitled Blood and Dust, published by Black Rose Writing, and a wee children’s book, Magic Mack and The Mischief-Makers. Find her books via her website or on Amazon.


Are you a writer who’d like to contribute to this series? Leave a comment below and I’ll get back to you!