Pale Highway, by Nicholas Conley: A Review

Nicholas Conley’s debut novel, Pale Highway, has an unlikely setting: a pale highwaylong term care home. The protagonist is even more unlikely: a Nobel Prize-winning scientist losing his battle with Alzheimer’s. Once hailed as a saviour for developing a vaccine against AIDS, Gabriel Schist is slowly losing touch with everything he held dear, until it appears a new, deadly, virus has arisen, one that only Gabriel can understand and fight.

Conley has worked in care homes with Alzheimer’s patients, and this is clear not only from his descriptions of the environment, procedures, and organization of these homes, but from his accurate, compassionate depiction of the residents. Pale Highway is a science-fiction story, but it is also speculative fiction, speculative in terms of what reality is and might be in the mind of a man with Alzheimer’s.

The major characters in Pale Highway are complex and fully developed, and the prose lucid. The plot is suspenseful, and Conley finely balances the reader’s perceptions: is what is occurring in these pages real at all, or is everything happening within the disintegrating mind of Gabriel Schist? Like Life of Pi, the book questions what constitutes reality.

Gabriel’s struggle to maintain some control over his failing mind, not only to solve the medical crisis facing the world, but to hold on to his relationship with his daughter, is presented movingly and realistically. His current struggle reflects past struggles in his life. The novel jumps between past and present, showing us how Gabriel’s past issues have forged his character and determination.

My only niggle was that I found some aspects of Gabriel’s reality difficult to suspend belief enough to accept. Both how Gabriel is given help to do his work, and his ability to obtain the materials needed, led me to the conclusion that the actions must be taking place only in his mind. But that, I think, is a limitation of my imagination, not a limitation of the story; another reader may come to a different conclusion. Overall, 4 stars, for an impressive debut novel.

The author provided me with a copy of this book in exchange for an honest review.

 

A Publication Day Review Repost: Creeping Shadow: Rise of Isaac Book 1, by Caroline Peckham

Originally posted in October.

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Creeping Shadows: Rise of Isaac Book 1

Creeping Shadows is a young-adult fantasy by indie writer Caroline Peckham. Building on some of the best traditions of British children’s and young-adult writing, the story caught my imagination from the first pages and held it throughout the book.

It is truly difficult to find new ways to address themes and memes in young-adult writing. Some of my appreciation of Creeping Shadows almost certainly stemmed from the fact it was ‘familiar’: the opening events and settings, which have elements reminiscent of the introduction to Narnia, or to Susan Cooper’s Over Sea, Under Stone, began the story in a way that leads the reader to expect certain things to unfold, the way ‘Once upon a time…’ opens a classic fairy tale. And the reader is not disappointed!

Wizards appear; a quest is demanded; travel between multiple worlds is required. The challenge required…

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The Tenants of 7C, by Alice Degan: A Review

tenants 7cThere is something about urban fantasy that takes place in a city well-known to the reader that adds a level of charm and attraction. The Toronto setting of The Tenants of 7C was a bonus for me, but even without knowing the Kensington Market district, this is a delightful collection of connected short stories.

Above the Heaven & Earth Bakery, in an obscure back alley, the tenants of apartment 7C are an eclectic mixture of decidedly non-human characters: a young werewolf, a Japanese demon, and a very young satyr. They share the rooms of 7C: rooms that aren’t in the same dimension as the actual building, and frequently don’t stay in one place. The bakery itself isn’t really meant for humans either, its breads and cinnamon rolls providing sustenance to a wide range of supernatural creatures. How these three co-exist and survive in a their dual world, both with other “others” and with humans are the central conflict of each story.

While in some ways reminiscent of Charles deLint’s books, especially his early work set in Ottawa, The Tenants of 7C focuses on the lives of the ‘others’, not the lives of humans who interact with them. The characters of the werewolf Nick, Takehiko, the Japanese demon, and Yiannis, the satyr child, are not just stereotypes, but dimensioned individuals whose personalities develop over the collection. Nick, who is the protagonist, is especially well-realized, completely believable as a seventeen-year old who doesn’t fit in but is doing his best to manage his life, attending an alternative high-school, worried about his relationship with his parents, wishing his life were easier. It’s just that his problems, unlike most troubled adolescents, involve him turning into a wolf.

Degan’s writing is polished and competent and the tone and structure fits the action and mood of each story appropriately. She can switch the mood from light-hearted or contemplative to frightening in a few sentences, and uses enough manga, gaming and Doctor Who connections to make the stories attractive to a young adult/new adult audience (I verified this with a early-twenties friend), but the stories are also deeply rooted in, and consistent with, older traditions of fantasy. Degan blends these strands of different fantasy genres and traditions well, not an easy feat.

I had only a couple of niggles. Because the stories in The Tenants of 7C are not a linear narrative, but rather vignettes and episodes in a larger world-under-construction, there are some loose ends, sub-plots that arise but are not completed in this volume, and some inconsistencies. I wanted to know what happened in those subplots and to those characters that are introduced but disappear. I guess I’ll just have to wait for the next book!

Overall, 4 stars. If you’re a fan of urban fantasy, The Tenants of 7C is definitely worth your time.

The Raven, by Aderyn Wood: A Release-Day Review

The-RavenIn a Bronze Age world, a child is born on the first night of Ilun, eight days of darkness. Orphaned, outcast, she is marked for sacrifice, but the shaman defies the tribe’s leaders to keep her alive. He has seen in her power beyond anything he has known, power the tribe may need some day. But will she be allowed to use it?

This is the premise of The Raven, by Aderyn Wood. I read an advance copy of The Raven over the course of three days. I would likely have read it in one in my younger days, when the luxury of reading all day was possible,which should tell you how much I liked it. Wood has crafted a believable, internally consistent fantasy world, with strong characters. The story is a classic conflict between choosing and using magical powers of good and evil, and as such has similarities with other stories in the fantasy genre, but it is neither excessively cliched nor stereotypical.

The tribal, semi-nomadic world that Iluna is born to bears some similarities to Jean Auel’s Earth’s Children series, and some to Guy Gavriel Kay’s Dalrei in The Fionavar Tapestry. But these are similarities only; this world stands on its own. Unusually, much time in the book is given to Iluna’s childhood (and therefore that of other key characters), a plot device which promotes both character development and world-building. In Wood’s competent hands the dramas and conflicts of childhood are woven into the larger challenges Iluna’s people face, and as the children mature, the complexity of those challenges increases, mirroring their understanding and role in them.

As Iluna grows to maturity, the scope of her world grows too, and she realizes that her gifts may be of interest and use to her whole network of tribes, and not just her own. Her choices and behaviour are those you might expect from a young girl on the edges of her society but aware of her unique powers, adding to the plausibility – and the tension – of the plot.

I had a few small niggles. There are a few wobbles in the consistency of voice, especially in dialogue, with modern sayings – “Stay safe” mixed in with archaic language – “…recent years have been ill-omened for us.” Wood uses ‘mountain lion’ in the first half of the book and ‘mountain cat’ in the second, apparently for the same species. And, perhaps most seriously, I found the description of the penultimate crisis, a battle scene, unconvincing, lacking in tension and broken by the statement “The fight wasn’t over yet.” Here, I felt, the author forgot the writer’s adage ‘Show, don’t tell.’

Overall, though, The Raven earns a very solid 4 stars. It was an enjoyable read, and one that I really didn’t want to put down. I don’t say that about many books. Available from Amazon.

The author provided me with a pre-publication copy of this book in exchange for an honest review. All opinions are mine alone.

Books of Influence: An Occasional Series

This is the first in an occasional series of posts about the books – mostly classic fantasy and science fiction – that have most greatly influenced my own writing and world-building.  First among these are The Chronicles of Tornor, by Elizabeth A. Lynn.

The Chronicles of Tornor, published in the late 1970’s and early 1980’s, consist of three books: Watchtower, The Dancers of Arun, and The Northern Girl. All take place in Arun, a land of city-states and northern keeps, grasslands and mountains, a land where certain psi powers, dance and warfare as two faces of one discipline, and a wider acceptance of differing forms of sexuality and love evolve over the several hundred years separating the three books. The first book in the series, Watchtower, won the World Fantasy Award in 1979.

Hailed at the time of publication as “an adventure story for humanists and feminists” (Joanna Russ) author Elizabeth A. Lynn’s spare, evocative prose and finely tuned characters made me long to be in Arun, but more importantly taught me how less is more in writing. The facets of sexuality revealed in her characters in this trilogy (and in two other of her books from the same general time, The Sardonyx Net and A Different Light), while common-place now, were still challenging readers at the time they were published. Important to her world (and ours), the sexuality of her characters is not an issue; it is an unremarkable part of the society and culture of Arun.

Each book can stand alone, but all are linked by the land in which they take place, the lineage of the characters, and a set of cards resembling Tarot cards. While there is physical action in all three books, it takes a back stage to the psychological and emotional change and growth that happens in the protagonists; it is these battles that are the focus of the stories, and hold the meaning. Lynn brings the story full-circle over the three books, beginning and ending at the northern keep of Tornor.

I first read this series in my early-to-mid twenties – now over thirty years ago- and of all the books I have read and will write about in this occasional series, The Chronicles of Tornor had the most direct influence on my own fictional land and some of the themes explored in the Empire’s Legacy series.  My paperbacks are tattered and torn, and one is a replacement, but they are books that will always have a place on my shelves.

Master, by Thomas M. Watt: A Review

What happens when dream and reality become one and the same, and you have no control over either?master

Ex-footballer Phil Gordon has chosen a life as husband, father, and pool cleaner over the possibility of NFL fame and fortune. He’s doing ok with the inevitable negative comments this decision engenders, but when a figure calling himself Master invades his dreams, making the same negative comments and threatening Phil’s wife, he begins to be frightened. In quickly escalating action, it becomes clear that Master has control of Phil and his family in his waking life as well as in his dreams, but is he real, or a construction of Phil’s subconscious, channelling repressed doubts and regrets about his life choices?

Master is a short book, 139 pages, with rapid, sometimes violent action, told from the first-person viewpoint of the protagonist. Its tone fits the confusion and fragmentation of Phil’s sudden immersion into a world gone mad, a writing style that is the equivalent of the hand-held camera effects of various recent films. In many ways, the book reminded me of a film script, strong on dialogue and descriptions of action, brief in descriptions of setting and characters, and bringing the action to a finale that completes the story but allows for a sequel.

Phil’s actions – and those of Master – unfortunately do not strain credibility in today’s world; the almost casual violence Master demands of Phil and practices himself exists in headlines weekly. Phil’s insistence that he is not a man of violence has little influence on his actions when his family is threatened; his motivation is clear. I had more difficulty fully understanding the motivation and behaviour of Ashley, an old girlfriend of Phil’s who is enmeshed in the unfolding events.

SPOILERS BEYOND THIS POINT!

My niggles? The technology that lies behind Master’s manipulation of Phil’s dreams is not really fully explained, and I felt was glossed over; a more detailed explanation of the technology and its effects could have added to the tension and drama of the narrative. The first half of the penultimate chapter reads more as an epilogue, tying up loose ends in brief explanatory paragraphs, before returning to the story. In addition, there were a few small production errors in the copy I was sent, but no more than are found in many books, both traditionally and electronically published.

Master will appeal to readers who like fast-paced thrillers with a strong psychological aspect. My rating is three stars. Master is available from Amazon.

The author provided me with a copy of the book in exchange for an honest review. The opinions expressed here are mine alone

Open Mike Night: Thoughts from the Morning After

As promised, here’s my report on Open Mike night for my writer’s group. Now, I should explain that my writer’s group isn’t, I don’t believe, typical. We don’t read to each other, or critique each others’ work. What we have is a space to write, coffee, tea, water and wi-fi provided, and a ‘den mother’ who strictly maintains the ‘no conversation, no phones’ rules.

So while we (mostly) recognize each other, we have no idea what anyone else is working on. So this yearly open-mike night is a chance to get to know each other a bit, as well as read our work. We started with drinks and munchies and conversation, and after half an hour or so of that, our ‘den mother’ got us started. I volunteered to read first, since that meant, firstly, I got it over with, and secondly, that I could then really listen to other work, instead of being nervous about my own reading.

Lights in the face, can’t see the room (this is good); my voice wavering a little at first but then steadying. I read my piece – an excerpt from Reverse Migration, chosen by all of you who voted here or on Twitter or privately e-mailed me. It sounds good, the words strong and flowing. The applause is hearty, more than polite, I think. And I don’t fall down (or up) the stairs.

About ten or twelve people read: award winning authors who make a living at this, and aspiring authors, some of whom read their rejection letters. Poems, short stories, self-help, memoir. A room full of talent, from twenty-something to seventy-something. Supportive, encouraging, genuinely interested in what each other is writing. Nice people. And now we know each other all a bit better.

Thanks to everyone who voted, and to those of you who asked for a report. The world is a better place when we listen to each others’ voices.

Immaculate Conception by Guilherme Solari: A Review

Immaculate ConceptionImmaculate Conception (Cybersampa #1) is a cyberpunk novella by Brazilian journalist Guilherme Solari. The setting is the megalopolis of Megasampa, a couple of hundred years in the future, a sprawling, dystopic city that has swallowed Rio and Sao Paulo, ruled by corporations, dark and divided. A brutal murder introduces us to Cascavel, the protagonist, a man with a mysterious past, multiple synthetic parts, and a film-noir-detective attitude.

Immaculate Conception is in part an homage to the cyberpunk world of Philip K. Dick, and references to Do Androids Dream of Electric Sheep (the story on which the film Blade Runner is based) are embedded in the story, as are references to other dystopic classics. These references help ground the story in a classic cyberpunk world without detracting from the new creation of Megasampa.

The world-building is solid, pulling from established cyberpunk and other dystopic themes, but the South American setting gives it a different life. The characters are not quite three-dimensional, but are as developed as many characters in this genre. The plot is a mix of film noir, classic horror, and dystopian sci-fi, and for the most part maintains its momentum and tension well. Descriptions of the locations effectively evoke the desolation of Novo Bronx as well as the shiny artificiality of corporate headquarters.

English, I assume, is not Solari’s first language, and while most of the writing is competent, there are enough mistakes in spelling, grammar and voice to detract from the flow of the prose. These could be easily corrected in a second edition of the e-book. My other quibble is the description of the novella on Amazon as meant for the 12-18 age group; the subject of the book and its violent murders, as well as the reading level, suggest to me the lower age limit here is too low. This may be a difficulty with Amazon’s classifications and not the author’s intent, to be fair.

Overall, I am giving Immaculate Conception three stars; it would have been 3 1/2 except for the language errors. I should say cyberpunk is not a genre I have read widely, and most of what I have read is by either Dick or William Gibson, so I may be a bit out of date with the evolution of this type of writing. Immaculate Conception is the first in a planned series called Cybersampa, and I believe they will find a satisfied readership.

The author provided me with a copy of the book in exchange for an honest review. The opinions here are mine alone.

Open Mike Night: Help Me Decide What to Read

The Open Mike night for my writer’s group was postponed until this coming Tuesday.  So I’ve had two extra weeks to decide what to read, and I’m still waffling.  I have five minutes in which to read one piece.  I can read an excerpt from my novel, Empire’s Daughter, or, an excerpt from my non-fiction book-in-progress, Reverse Migration: A Discourse on the Spirit of Place.  The two excerpts are below.  Please let me know what you think by using the comment section!

Excerpt from Empire’s Daughter:

At our mid-day break, Turlo offered to teach Garth to use the hunting bow. The day had turned glorious, the sky a clear blue with a light breeze. Garth accepted with alacrity.

I’ll come to watch,” Bren said, standing. Garth nodded a welcome. He clearly liked Bren. After my talk with Casyn, I could see Bren’s distant manner in a new light. I no longer felt rejected by him, but I remained ambivalent.

And you, Lena?” Turlo offered. I shook my head. My monthly bleeding had begun, and a general lassitude had settled over me. I stretched out in the warmth and drowsed as the hunters went off over a ridge. After a while, I stirred to see Casyn sitting on a nearby rock, a mug of tea in his hands. I rolled over and sat up.

I thought you had gone hunting,” I said.

Four is too many.”

May I ask something? About Turlo?”

Bren this morning, Turlo now?” he teased.

It seems to me that Turlo is much like Garth. He is happier hunting, or wandering the wilds, than anything else, yet he holds a commission and serves the Empire.” I stopped, not sure how to continue.

You are wondering why Turlo became an officer while Garth chose to desert,” he said gently. “There is no easy answer to that. Turlo, for all his love of the wild, came willingly. His father was on Wall duty, a scout, and his tales of that life probably had the boy enthralled. Also, the Wall is a place where Turlo’s skills and interests are needed and encouraged. By the time he came to the cadet camps, he was already a talented borders scout. But Turlo is also a born leader. He understands men much as he understands animals, instinctively, and we fostered that in him. Garth is a different man, and his opportunities were different. If (his father) had been in a borders regiment, then, yes, perhaps he would have reconciled to the army, but perhaps not. I doubt that Garth will ever be truly happy leading men, but I think he will teach boys with care and discipline and with a greater sensitivity than he received.” He sighed. “I am not sure I have answered your question, Lena, but it is difficult to talk about what might have been when we are speaking of men. I prefer analyzing strategy.”

I’ve noticed,” I said dryly. “Although you’re not quite as bad as Bren.” He laughed. “I still wish things had been different for Garth.”

And for yourself, and for Maya,” he said gently. “As I do. But we cannot shape the circumstances to fit our lives, only our lives to fit the circumstances. What defines us, as men and women, is how we respond to those circumstances. Courage comes in many forms, Lena, and I think perhaps Garth, in trying to reconcile his nature to the expectations of the Empire—and ultimately his own expectations of himself—is more courageous than Turlo.”

A gentle breeze rattled the dry leaves, and I could hear the horses cropping grass. Casyn sipped his tea. I lay back again in the sun. “When do our roads part?” I asked.

Two days from now. About mid-morning on the second day, we’ll come to a track that runs south-easterly, while this road swings to the west. We’ll say our farewells there. The easterly track will bring us to the winter camp more quickly than the southern. Your errand takes you south, and neither should be delayed.”xxx

I nodded. I would miss him, but part of me wanted to be alone with Garth again, to talk to him of Maya and the future, and to camp under the trees and moon. I heard voices and looked up to see the men climbing over the ridge, rabbits swinging from their hands. Garth was grinning. A light breeze blew, his hair back across his forehead as he held up his brace. “Dinner tonight,” he said. He looked relaxed, his eyes lit up with pride in this new skill.

If we can buy some root vegetables, pot herbs, and perhaps a loaf of bread at the next inn,” I said, “I’ll stew those rabbits tonight, as a change from roasting them.” This brought appreciative noises from Turlo, but then, anything to do with food usually did. We doused and scattered the fire, re-bridled the horses and tightened the girths, and mounted, turning south again into the red-gold afternoon.

Excerpt from Reverse Migration

Beyond the village, west towards the Wash, flat fields of barley and wheat, latticed with ditches, lie on either side of the paved right-of-way out to the water. Once this was marsh, and from the satellite images on Google Earth, the patterns of waterflow can still be seen, like a ghost, or a memory, held in the soil.

Around the village, around its bungalows and houses, shops and pubs, church and hall, people going about their lives shopping, walking dogs, gardening, working, I see other ghosts, memories not my own underlying the quotidian. My father’s memories, and his parents, and beyond that for unknown years. Memories now at their newest eighty-seven years past, and going back for generations.

I would like to know this place intimately, to understand its ecology and geology, its weather, its landscape, its history. I want to watch the seasons here, the ebb and flow of waders on the Wash, feel the wind off the North Sea in the winter, bringing hard frost and snow; hear the nightjars churring on the Fen at a summer’s dusk; see the hordes of geese returning, and leaving, autumn and spring. I would like, as much as can be in a changed world, to know this place as my forebearers did, the knowledge of foot and sight and smell and feel. I have been making small beginnings, over the last thirty years, coming closer together over these last ten. What can I learn, this time, in a month in spring?

A century ago my great-grandfather built a tiny wooden bungalow, a beach cottage, on the shingle beyond the marshes. I do not know exactly where. Between Dersingham and the Wash were the marshes, and, the first part of the lane which is now the bridleway from Station Road, which is recorded on Faden’s 1797 map of Norfolk. There was (and is) also the Drift, a droveway to move sheep on and off the marshes.

What lay between the edge of the village and the Wash I imagine to have been a mix of rush and sedge and ling, cut with hundreds of channels and small ponds, rich with wildfowl, water vole and waders. Perhaps not, though; perhaps it was grazing marsh, diked and drained, wet meadow. And perhaps it was a mix of the two; I suspect this is the most likely. At some point in the 1920’s, my grandfather, Percy, and one of his brothers-in-law, Sid or Eph, walked out from the Drift to the bungalow, across the wet land and the unbridged waterways. Because this story was still being told eighty years later, I think they arrived very wet, very muddy, and to a good telling off from the women.

The land now is arable, planted to cereals for the most part, but also managed for wildlife, or at least for shooting. Weedy headlands, broad buffer strips on either side of the waterways and around each field, some fields left to grass fallow, strips and clumps of trees: all give shelter not only to the pheasant and red-legged grouse, but to other wildlife. The first morning we walked out there were hares everywhere. Marsh harriers hunted over the fields and the marshes; whitethroat, dunnock, robins, blackcaps, and reed and sedge warblers sang, along with finches, green and gold, and linnets. Songs I do not know, songs to learn, to become part of the tapestry.

A few greylag geese are raising goslings in the fields near the Wash, along with several Egyptian geese. Oystercatchers and ringed plover nest on the beach. Goldfinches twitter from the tops of the blackthorn. Cuckoos call from the woodlands. A whitethroat sings from every bush or tall reed along the ditches, it seems; some will be raising cuckoo chicks, unwittingly.

The land has changed since my father’s childhood, but two things have not: the sky and the sea. The vast Norfolk skies, the ebb and flow of the tide over Ferrier and Peter Black Sands, and the birds that belong to both: in May, oystercatchers, dunlin, knot and grey plover, feeding at the edge of the sands, moving with the tide, or taking to the skies in huge wheeling flocks, sometimes put up by a peregrine, sometimes by seemingly nothing.

So, which one?  Let me know what you think!