Well, I didn’t expect it to be almost three months before I had anything more to say about the next novel! (The first part of this occasional series is here.) January, though, was mostly taken up with finishing other tasks, primarily getting Empire’s Passing ready for release and completing a contracted edit. February took us to Spain, a road trip for birds and Roman ruins and medieval city centres; one of the things I wanted to experience was how remnants of the Roman Empire (or the Eastern Empire, in my fictional world) appeared in a countryside that wasn’t Britain. Something beyond the familiar, to make me see.
Sadly, I don’t have a photo of the image that had the most impact: part of an aqueduct in a random field, and in that field, a man walking his dog. Living with this ancient piece of infrastructure as background to his everyday life. That was the sense I wanted; it will metamorphose, by whatever alchemy happens in a writer’s mind, into what it’s like, 500 years after we last saw my world, to live with the remnants — tangible and intangible –of a past empire.
One of the hardest things I had to find was some scholarly books with a good overview of European history of the later middle ages – roughly 1000 to 1400. Eventually, through discovering the online syllabus to a university course covering that period, and checking its reading list, I ordered two books:


I’ve also signed up for a six-week online course on medieval universities, as the Ti’acha of the first series have developed into something fairly similar (but without the religious context).
I’m still writing exploratory short stories, which can be found, one a month from January onward, on the A Muse Bouche Review. This is a way for me to get to know my characters, and some of the conflicts that the story will be based around.
As my research and character development continues, I’ve realized there are two big challenges ahead of me: which bits of European history to cherry-pick for the books (there’s a LOT going on in Europe and around the Mediterranean in these centuries), and, maybe even harder, to write a novel or novels with at least four POV characters. Two is the most I’ve done before.
But as the book gestates, moving from concept to reality, its lack of a working title was nagging at me. (Titles and book covers make an idea more solid, at least for me.) So here’s a cover mock-up: a place-holder image, and the working titles for both the book and the (presumed) series: All of which may change between now and publication!
‘A wise prince should establish himself on that which is in his own control and not in that of others; he must endeavour only to avoid hatred.’
The Prince, Chapter XVII
Niccolò Machiavelli
Varril, the elected Princip of Ésparias when the story opens (at this point, at least!) is not a wise prince. Not at all. And on that, it seems, will hang the tale.
(As for the Casillard Confederacy – think of the Hanseatic League, often simply called the Hansard.)
More when there’s more to say!

Hello Marian -Julie here!
I realised the other day that we used to comunicate via Twitter – and I don’t think you check that anymore?
I have moved back north (4 miles away from a certain Wall…) so even my address has changed!
I’ll try to DM you on X!
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This is amazing, Marian. I love seeing the seeds planted and starting to germinate for a new novel. And what a rich and complex history you’re tapping into. I’m intrigued and ready to buy a pre-order copy. 😉
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Thanks, Peter. It’ll be a while!
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This post makes me happy!😁
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Liis, every writer needs a reader and supporter like you!
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