September

Image by Brigitte Werner from Pixabay 

Even after years of retirement, I still plot the rhythms of the year by the start of school here in Ontario. The first week of September starts a new year, as it has since I was five and beginning kindergarten. New clothes, new shoes, new pencils and erasers, new teachers.

I left home for the first time, to attend university 500 km away, in this week in 1976.  44 years ago, I met the man who would become my husband in this week, and 41 years ago in early September, I married him.

For another 33 years, it was the start of the academic year, first studying, then teaching. Even when I was out of grad school and was doing research, no longer a teaching assistant, the university campus changed. Students arrived for the fall semester, and the summer quiet gave way to the buzz of autumn energy.

Eight years ago, I started the chemotherapy that saved my life in this week, too. The year after, when the calendar clicked over to September and neither I nor my husband went to work, it was the real start of retirement.

In the past eight years, I’ve written six books, every one between September and a date 6 to 12 months later. I finished the latest (finished the story; there’s still a lot of work to do) in the last week of August; I began the book in early September a year before. September is still for beginnings: new notebooks, fresh pencils, new courses, new students, new patterns, new books.

It’s new patterns I’m looking for this year. The next book might wait until the calendar’s new year, January. Complicated by the restrictions of the pandemic, I’ve spent far too much time in the last two years at my desk, writing, blogging, doing marketing and promotion, in Zoom meetings, on social media. I need a breather, and I intend to take one.

Across the road in the university’s arboretum, and along the river trails, September brings fall warblers, migrating south. Kettles of turkey vultures will circle above; great egrets and sandhill cranes will move from marsh to marsh; blue jays will gather in flocks, calling raucously. The hedgerows are laden with berries, and the crabapples hang heavy on the trees this year. Thrushes and waxwings and blackbirds gather. September is a new start for many birds, too, the beginning of their long journey to wintering grounds.

I expect I’m wintering here in Ontario again this year, and when it’s cold and the snow is deep and the paths icy underfoot, I’ll be glad of the work to keep me engaged and the computer to keep me connected. But for the next couple of months, I’m putting life away from both first.

Of Birding and Writing

May is the month when my two avocations – writing and birding – compete for my time and attention. For most of the year (or at least my Canadian year – our English months had a different rhythm), I write in the mornings, and do everything else in my life in the afternoons. But birds – especially songbirds, migrate primarily at night, dropping down into woodland, hedgerow and grassland to feed in the early mornings. So morning, during migration, is when to be out.

I’ve been birding at some level for over fifty years. I’ve been writing for at least as long. Birding keeps me in touch with the rhythms of the earth, and the non-human lives that we share it with: I may be primarily looking for birds, but I’m also seeing and paying attention to reptiles, amphibians, mammals, insect life – and plants. Honing skills of observation, layering experiences of sight and sound and smell – and even feel and taste – into my day and my memory, often to reappear in my writing.

I’m always birding. If there’s light in the sky, whether outside or near a window, if a bird moves, I look at it. Reflexively. (Not always the best reflex, when you’re having a serious conversation with your boss in the parking lot, but, there it is. They were all remarkably forgiving.) I’m always writing, too. Words move in and out of my conscious mind: description, conversation, mood. Sometimes I even write about birding.

Regardless of my respectable list of birds seen, garnered over seven continents, I’m not a world-class birder, and I never was nor will be. I have no ear for song, a requirement to be really good, and, at sixty-four, my eyesight isn’t what it once was. The details are harder to distinguish now. But I was at my best a solidly good birder. But I didn’t get there overnight. It took a lot of work, birding with people who knew far more than I, studying books, making mistakes, learning from them: hours and hours in the field and analyzing that field work afterwards. A lot of work for a ‘hobby’? But a discipline that overlaps with that of writing. I’m not a world-class writer, either. I’m probably a solidly good one. But I didn’t get there overnight. It took all the same steps, the same discipline, the same willingness and drive to learn, and keep learning.

As I walked the familiar paths of my birding patch this morning, I thought about how these two parts of my life complement each other. Birding taught, and continues to teach, lessons far beyond that of identification: patience, for one. But more subtle ones, too: yesterday I watched a bluebird hunting insects. Except I didn’t have my binoculars, and the position of the sun meant the bluebird was only a silhouette. How did I know it was a bluebird, then? From all the things it showed me: its size and shape, how it flew, how it returned to the same branch over and over – all these things said ‘bluebird’, without me having to be told, by an in-your-face, look-at-me view, that it was a bluebird.

Birding taught me, too, about glimpses, how to construct a whole from pieces. Tapaculos are small birds of the undergrowth of central America. They are, most of them, very hard to see, because they skulk under thickets. But if you see enough pieces of a tapaculo: an eye, a beak, the tail feathers – they add up to a whole bird in your mind. Just like worlds and characters are best built in the mind of the reader from pieces, hints, brief views.  

I could keep drawing parallels; I won’t. But this morning, as I left the coffee shop downtown where I’d had breakfast, still early, and stepped into St George’s Square, a raven flew low over the space, calling. Unexpected, delightful, (and perhaps portentous for some). I’m still thinking about it.  A plot twist, if you like.

The Landscape of a Dream

I love road trips, and over the years Brian and I have driven thousands upon thousands of kilometers across all North America and Great Britain, much of Australia and most of New Zealand, plus bits of more other countries than I can count. But I never stopped wanting to do one on my own.

I like my own company, and I like, perhaps need, space and silence to think. So when, in the summer of 2013, Brian went birding in Papua New Guinea – a place I had no interest in, having had enough of hills and humidity – I left the cats in the care of their usual sitter and drove west, out to the silence and space of the Great Plains and the Canadian prairies. A two week trip.

I’d originally planned to follow Highway 2, a non-interstate that runs not too far under the Canada/US border, but I soon learned it didn’t suit my needs: too many trucks, too few safe opportunities to pull of to look at birds. So I took myself up to the parallel county roads, where there was almost no traffic, and many opportunities to stop.

I’ve written before of the recurring dreams I’ve had since childhood: dreams of roads and paths, in cities but more often out of them. Some of these dreams involve water, paths crossing wetlands on causeways. They stay in my mind, holding their own authenticity overlaid on the real world. And on a county road in North Dakota, just west of the tiny hamlet of Whitman, I drove into one of those dreams. The road became a causeway, crossing a lake filled with birds. I pulled over, stopped, got out. Wonder coursed through me. I know I laughed aloud in recognition and delight.

Black terns hunted insects over the water; ducks of a half-dozen species swam and dabbled. I stayed maybe half an hour, the occasional pickup truck passing, but nothing else to interrupt, interfere. I got out the scope, looked at the birds, but it was almost an excuse to linger.

What has this got to do with my books? Just two lines. In Empire’s Exile, not too long after Lena and Cillian reach Casil, she asks:

“What did you think? It must be strange, to see these buildings you have read about.”
“Like finding the landscape of a dream is real,” he answered.

Balancing

Yet each man kills the thing he loves,
By each let this be heard,
Some do it with a bitter look,
Some with a flattering word…

Oscar Wilde, The Ballad of Reading Gaol

Like almost everyone a year into the pandemic, I find myself thinking ‘I want my life back.”

I’ve slowly realized, though, that for me this isn’t only about the restrictions of the pandemic. Sure, I miss eating out, and movies, and meeting friends and family. But being a fairly introverted sort, happy with my own company most of the time, those aren’t a huge part of my life. What I’m missing more are the things I used to do, until writing took over my life.

I’ve written four books and a novella in the last five years. (Plus eighty thousand words of a first draft I tossed out completely.) Good books, by their reviews and awards, and not short (except the novella). Plus innumerable blog posts, my own and as a guest; book reviews, articles…sometimes it feels like all I do is write.

I used to have another life.

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A life where I could spend four hours birding, and not feel guilty. A life where I didn’t just watch birds, I drew them, turning my work into cards for friends and family.

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A life where I could spend hours with Ordnance Survey maps and Google Earth, studying field boundaries and the position of Roman villas, or bronze age barrows, or the remnants of ecclesiastical sites along a river. (And then go out and walk these sites, but that is a pandemic loss, at least this winter.)

A life where I read for pleasure, not for research or review.

This is no one’s doing but my own. I’ve always been immersed in my work, regardless of which of my several careers we’re talking about. I thought, in the first couple of years after I stopped working, I’d found a better balance. Then I slipped back into old habits, in part for the sheer joy of doing what I had always wanted to do, a need and desire that had taken a back seat to work and travel and the other demands and pleasures of life.

I took a day off to go birding this week, down to the shores of Lake Erie to look at waterfowl and early songbird migrants, and when I got home, my fingers itched to draw that flotilla of redhead and scaup dotting the Inner Bay, or the tundra swans passing overhead. I read a book for pleasure, too – Kazuo Ishiguro’s newest, Klara and the Sun. And I thought – why isn’t this my life? No one’s forcing me to write a book a year, to not draw, or not take another landscape history course – no one but myself.

Hindsight tells me why. I’ve wanted to be a writer – a published author – since childhood. The reality of that happening – and happening to critical acclaim, too – was exciting. (It still is.) It’s been exhilarating. But I’m starting to see the cost. Ironically, the things I’ve mostly stopped doing: birding, studying landscape history, reading about deep ecology – are the things that have helped inform the worldbuilding of my books, an aspect of them which is almost universally singled out for praise.

Am I going to stop writing?  Of course not. Writing brings me joy and challenge, and I have my characters’ stories to tell. But after Empire’s Heir comes out later this year, will the next one follow close on its heels?  Maybe not. Perhaps, loyal readers, you’re just going to have to wait a little longer for Druisius’s novella, and the last book in the series, and whatever else appears, asking to be told. But they’ll be better books for it.

Epiphany

I am ten years old, or maybe eleven. No older. I am wearing green shorts and a yellow shirt. I am alone; I often am: this is another time, another world, southern Ontario in the late 1960s. I can smell the dust of a July afternoon, feel the heat of the sun, see the purple of the vetch that lines the farm lane: the moment is fixed in my memory.

I’ve been out in the fields and woods, exploring, pretending, observing. The woodlot lies a quarter mile directly south of our house, twenty acres or so of field between the Norway spruce that line the southern edge of our yard and the woods. This is my world, and I share it with animals and birds I know: rabbits, groundhogs, the occasional skunk; crows, sparrows, robins.

I have – or rather my brother has, because this is meant to be a boy’s pursuit – a bird book written for young people. I look at it often; I like knowing the names of things: trees, birds, flowers, rocks. Even then I find my place in the world through its landscape – or, more precisely, although the word is not widely in use yet – the ecosystem that surrounds me.

It’s midafternoon, and I’m hungry. I’m heading home for a snack. Am I running? I think I might be. A bird flies up from beside the lane. I stop, in a moment of recognition and delight: a bright yellow breast, a distinct black V. A meadowlark, I tell myself. I’ve seen a meadowlark. Wonder suffuses me. They live here. They are real. A world opens up, a world beyond the commonplace, a wild world.

I will go on to see hundreds, if not thousands, of meadowlarks across the Americas, to recognize their whistled, flute-like song as a harbinger of spring, to mourn their decline as a grassland bird. As agriculture in southern Ontario changed, fields that were once pasture now grow corn and soybeans; hayfields are cut earlier, destroying nests; old fields on the edges of towns become housing developments. I have to look for meadowlarks now.  But every first meadowlark of spring takes me back, just for a moment, to that ten-year-old realizing a world of wild beauty lay both beyond and within the familiar one, if I had the eyes to see.

Featured image: By Stan Shebs, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=62440

The Thing with Feathers

The Cooper’s hawks have fledged two young: I see them every few walks, never (yet) very far from their nest, and always together.  There’s a noticeable size difference between them, but as they are still in juvenile plumage, I can’t tell if that’s a gender difference–females being noticeably larger than males–or if it’s just hatching order.  By now, they should be hunting independently; the rich bird life of summer likely providing sufficient prey. If they survive through to the winter, they may well become one of the birds that swoops around the corner of our house to take a bird from a feeder.  That between-houses and around-corners dash is characteristic of the Cooper’s Hawk (and its smaller, almost identical cousin the Sharp-shinned Hawk): Cooper’s Hawks were once called ‘chicken hawks’ because they used the same techniques in farmyards, using buildings as cover to grab a foraging chicken.

Juvenile Cooper’s Hawk

The thistles have gone to seed, and there seems, some mornings, to be a goldfinch feeding on almost every thistle head.  They are nesting now, timed to coincide with the thistle and milkweed seed crops. They are by far the most common bird I see–and hear–on any walk. Right now, I’m seeing far more of the bright males than the olive-drab females, who are likely sitting on nests. As goldenrod comes into flower, I find it just a bit harder to find the males in the fields: not everything bright yellow is a goldfinch now!

In among the chipping sparrows this week was a cowbird chick, twice the size of its unknowing foster parents, actively going into begging mode – beak open, tail and wings quivering – each time its parents approached.  Mostly, they ignored it: it could fly, and it was time for it to learn to feed itself.  The chipping sparrows that nested in the forsythia hedge at our house raised a cowbird this year too: at first, of course, they fed it constantly, and then less often, and then not at all.  For a day it sat on our deck railing or on top of a garden ornament, looking disconsolate, occasionally flying up to the feeder but not feeding, and then it vanished.  But if it lives to adulthood, and it was a female, it will choose chipping sparrow nests to lay its eggs in too, because it was raised by them. 

Sometimes birding brings back a strong and immediate sense of place from another time, or even another country.  Juvenile American robins are everywhere: I must have counted over two dozen in one six kilometre walk the other day. But for some reason, every time I raised my binoculars to look at one, my brain said “Fieldfare”. Fieldfares are a European thrush, fairly closely related to American robins, and not dissimilar in appearance to their juveniles. But I’ve been looking at juvenile robins (consciously) for about fifty-five years. I’ve only been looking at fieldfares for about twenty-five, so I’m still trying to work out why I was so convinced I was not in North America: the day was classic Ontario high summer, and everything should have said ‘home’ to me.

Fieldfare

My first fieldfares were in an old orchard at Leighton Moss RSPB reserve, on Christmas Eve of 1991. We  were driving to Scotland to spend Christmas Day with my husband’s cousins; Leighton Moss is in Lancashire, more or less on the way. I remember the day as changeable, cloud giving way to brilliant low sunshine, the light winking in and out. We were walking from the visitor’s centre along the lane that borders the reserve, making our way to the footpath that runs out into the reedbeds. A rush of wings, and thrushes exploded into the old orchard: fieldfare, and their cousins the redwings. Both were new to us, and in the winter light and bare trees they were a delight of sound and colour. I’ve seen both species many times since then, but I remember them best from that first sighting.  Emily Dickinson wrote ‘hope is the thing with feathers that perches in the soul…’ but for me, ‘the thing with feathers’ is a time machine, one that, in the time it takes to raise my binoculars, can take me from an August morning in Ontario to a mid-winter afternoon in northern England, three decades before.

Photo credits:

Cooper’s Hawk: Pauk, from Wikimedia Commons, licensed CC 2.0;

Fieldfare: Teresa Reynolds, from Wikimedia Commons, licensed CC 3.0

Featured Image: Goldfinches on Milkweed (C) Marian L Thorpe 1994

One Small Thing

This is a very different blog post than I usually write, but it’s what I was thinking about for much of the day. I woke up yesterday mentally exhausted, from editing and book launches and promotion and marketing and my community newsletter responsibilities and reviewing and…..just too many words. My wrists ached from typing. My eyes were dry. My creativity was missing. So I went birding instead.

Alone. I needed space and silence. I drove up to a lake about an hour north of us, and walked around a pond and then along the lakeshore, and looked at trumpeter swans and blue herons and pied-billed grebes, and the osprey overhead and the swallows chattering over the water, and listened to yellow warblers singing. I took pictures of wildflowers. I startled a white-tailed doe, and a lot of turtles. And I thought about my two solo birding trips: one a week in the High Island area of Texas; one a road trip out across the Dakotas and up into Saskatchewan.  

Luther Lake, Ontario

I was in my 50s, for both trips. In Texas I stayed in one place, and did day trips to the local wildlife refuges. On the road trip, except for three nights at Grasslands National Park, I moved every day. I drove back roads; I stopped at ponds and potholes and rivers; I hiked into prairie. I had no phone reception, much of the time, and anyhow, my husband was in Peru when I was in Texas, and in Papua New Guinea when I was on the road trip.

Nighthawk roosting, Grasslands National Park, Saskatchewan

I was mildly conscious there was some danger in what I was doing. There always is, for a woman travelling alone. I was always alert; not on edge, but alert. Once or twice I returned to my car earlier than I’d planned, because something made me nervous: a pickup truck stopping, its driver watching me, that sort of thing. Once or twice I didn’t stop at a location I’d meant to, because who was already there concerned me.

Then this week I read stories from birders who are black, men and women, about their experiences in the field: about the suspicion they often are met with. How they are watched, and sometimes followed, and challenged. How having the police called can so easily outweigh the pleasure of birding. What are they doing, with those binoculars or spotting scope or camera?

I thought about the slight extra alertness I had on those trips, and the few times I listened to instinct and didn’t bird. What if every day was like that? How many challenges or scrutiny would it take to stop me birding entirely? How much fear?  I think of the joy and delight birding has brought me in the fifty years I’ve been consciously doing it, and what I would have lost if I’d been driven away from it.

Racism mars lives – destroys lives – in worse ways, without a doubt. But the scream of an osprey or the chatter of tree swallows – and the ability to stop and watch and listen– should belong to everyone. I am doing my best to simply listen to and learn from the voices calling (again) for change, because I know much of what is behind these valid and overdue demands is outside of my experience. But this one small thing isn’t.

I don’t know, yet, how – or if – I can help bring about change. But I can ask how. I can try. That’s what I thought about today, while the yellow warblers sang.

Catching Up

Posts have been few and far between recently….my apologies.  Here’s why.  I’ve just finished printing and framing twelve new versions of graphic prints, to be included in atepsave1 cutout351 display of eighteen of my works that I’m hanging next Wednesday.  I also completed Empire’s Hostage, Book II of the Empire’s Legacy Series, this week, prepped the files for printing, and sent them off – just waiting now to get the first proof edition. cover ebook under 2MB smaller This was also the last week of the on-line university course I’ve been taking, on the landscape archaeology of Britain…and then there’s been the community newsletter, the community herb garden, retirement parties to attend, books to edit, the kitchen cabinets to prep for painting (next week!), and all those little things – like grocery shopping and meal prep and time with friends – in-between.

“Retirement” still seems to involve twelve-hour days – I’m usually started on the day’s work a bit after 7 a.m…..and it generally continues on to about 7 p.m.  I’m still fairly reliant on my on-line calendar to remind me what’s next to be done. The huge difference is that I’m doing exactly what I want to, most of the time, and an hour-long bike ride to pick up my library books and a liter of paint is multi-tasking – exercise and errands in one – but it’s FUN.  And if I feel like taking a day (or more) off, there’s no-one to tell me I can’t, or shouldn’t…hence our week in Cape Cod and the White Mountains at the beginning of the month, a fairly last-minute decision. (But if we were ever going to see Bicknell’s Thrush, it had to be done. I’m pleased to say we were successful.)

I’m going to drop the pace for a few weeks, though: it is, after all, summer.  There are outdoor concerts to attend (weather permitting, in  changeable and stormy Ontario this year), books to read….and cupboards to paint. I need a break before I start writing Empire’s Exile, Book III, plus there are a few other projects that have been on the back burner…and in the fall I start a new university course that will help with the background for Exile.  I will, of course, keep everyone updated on the release and promotions for Empire’s Hostage, but also, I hope, some other posts…I miss it!

To my Canadian readers, have a safe and fun Canada Day weekend, remembering that Canada 150 is also Turtle Island 15,000. We have a lot to celebrate, some things not to, and a lot of work to do.  Happy July 4th to my US readers: stay safe:  Nolite te bastardes carborundorum; and to the rest of the world, whatever season it is, enjoy!

 

 

 

Collision Course

Skestrelometimes two parts of a life can collide unexpectedly. At my Monday morning writer’s group, which meets in the upstairs restaurant/bar of an independent bookstore, we had propped the patio doors open to let in the summer breezes. We’d all been working about an hour – this is a place for silent writing, not discussion or sharing – when I heard a high-pitched, rapid cry from the bar area. My writer’s brain disengaged, my birder’s brain engaged – that was the cry of a bird in fear of its life.

I and another writer ran for the bar area. Fluttering against the glass windows was a young kestrel. Pursuing a house sparrow, it had flown in the open door of the patio. The house sparrow was somewhere in the room, but our priority was the kestrel.

A sweater was found and thrown over the terrified bird. The other writer – herself experienced in bird banding – carefully carried it out onto the patio and let it go. I searched the room for the sparrow, but it was hiding somewhere.

About half an hour later someone came in from the bar area to say the sparrow was fluttering against the front windows. It was a simple matter to drop my cotton shirt over it, and carry it carefully to the patio. It vocalized the same rapid, high-pitched distress call the whole time I held it, but flew away as soon as I freed it from the confining cloth.

The chances of this happening are minuscule. Kestrels eat primarily insects, although small birds are also part of their diet; my guess is this was an inexperienced and hungry young bird that thought a house sparrow was fair game.

And when both birds were free again, my writer’s brain re-engaged and I went on to write 600 words of Empire’s Hostage.

photo by Dominic Sherony (American Kestrel (Falco sparverius)) [CC BY-SA 2.0 (http://creativecommons.org/licenses/by-sa/2.0)%5D, via Wikimedia Commons

 

This Morning’s Walk – Random Obervations from April 17th

Courting yellow-shafted flickers, the male at the top of a dead branch, the female lower on the same branch. The male drums, moves his head to the left, fans his tail. The female moves her head to the right. Back and forth they do this, the male drumming every third or fourth time, heads moving back and forth in precise time. He’s dressed to impress, every black dot on his buff-yellow breast crisp, his red nape gleaming, his tail feathers glowing gold in the morning sun. The dance goes on for about five minutes, until the male flies to another drumming perch to beat a louder cannonade. There is no visible response from the female.

A small, thin, whistle from high in the maples catches my attention. Looking up, thinking to find a small bird, I find instead a male wood duck, standing on a branch. I watch his bill open and close as the thin ‘zeeting’ is repeated. Definitely him. An unexpected sound from a duck.

Walking through Victoria Woods, a funnel of leaves rises and falls from the forest floor, rising to no more than a foot or so off the ground, falling nearly to nothing, then rising again, moving east to west. I can see the track of disturbed leaves several meters into the woods. It looks animate, or animated by something invisible – which of course it is: a small whirlwind. But the experience had an odd feel, as if I was seeing something of faerie, not this world.