In the same near-future world as Jonathan Ballagh’s The Quantum Door, a young girl
called Remi sees a glowing dome in a pond near her house…a glowing dome that is almost immediately snatched by a hand that rises from the water. Shortly afterwards, strange dreams begin; Remi finds herself writing strings of meaningless numbers…and then parcels begin to arrive, parcels containing items that she is compelled to put together.
What Remi builds takes her into the same world of technological wonder and menace that Brady and Felix entered in The Quantum Door. But The Quantum Ghost, while building on events in the previous book, can successfully be read as a separate, stand-alone book. Characters overlap, but they are introduced again, and any previous history relevant to this book is given in a natural way.
The target audience for The Quantum Ghost is middle-grade students. Ballagh’s prose and pacing is perfect for this age group; the science is presented in a comprehensible manner without over-simplifying it or talking down to the reader. The action is rapid, but with enough character development to create empathy and identification with Remi.
As in The Quantum Door, Ballagh manages to take what could be clichéd scenes and turn them into truly frightening images. There are some quite dark scenes (age-appropriate) in the story, so a young person with a vivid visual imagination might find the book a bit difficult in places, but Remi is a heroine who faces dangers with courage and initiative. In both this frightening alternative universe and in her ‘real’ life, she acknowledges her fears and confronts them.
The artwork by Ben J. Adams, both on the cover and the interior illustrations, is brilliant, perfectly complementing the story. Highly recommended for ages twelve to sixteen, or for less confident, slightly older, readers.
I received a copy of this book in exchange for an honest review.
Charlie are relieved to see a hotel – a magnificent, modern hotel – standing alone on a highway. They check in, only to find, like in the Eagles’ Hotel California, they can’t check out.
turn thought into something, tangible or intangible, new to the world. But what if they ran on thought in a different way, if thought could be turned into power, not of the kind wielded by politicians and heads of corporations, but the sort that turns on lights, runs motors, boots up your laptop? And what would happen to those whose thoughts were channelled into that power?
interpretations of various petroglyphs, religious practices, and experiences from around the world, A Gleam of Light pits a young Hopi woman and a reporter against the U.S. Army in a race for the secrets buried deep within a cavern on Hopi land.
Glenbrook), because I liked half of it but not the other half. Two interconnecting stories make up Regolith: one is a fairly standard ‘spaceship crew fighting aliens’ story; one is a tale of corporate research, in-fighting, and one-upmanship that provides the climax and ultimately the back-story to the other half.
exploration and adventure on a water-world, Shaman Machine the Mentor contains some beautifully-written and insightful passages: “A commotion of scraping chairs opened a slim gap of welcome.”; or, “I grew up in a house filled with chaos,” he replied. “I was crowded out by indifference. There was no room for a child in there.”
emotionally entangled with the person or persons it watches is not new. (For a thoughtful and beautiful take on this, watch the Wim Wenders film Wings of Desire. Watch the original, please, and not the Nicholas Cage remake City of Angels…they are very different films.) But, of course, no-one owns this concept, and in As Wings Unfurl, author Arthur M. Doweyko brings his own twist to the tale. Here, the ‘angel’ is an alien being, and humans are not what we think we are. Nor are we the oldest sentient hominid on Earth.
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